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Thursday, December 31st, 2009 | Author: Administrator

Everyone in New York City, Los Angeles and Canada start the New Year Off Right! See The Imaginarium Of Doctor Parnassus!

In NYC it is playing at the Lincoln Center Theater and the Sunshine Theater (in The Village). In Los Angeles it is showing at the ArcLight Hollywood (in a wonderful theater where I saw it last Sunday) and the AMC Century City!

REMEMBER! Doctor Parnassus will be expanding nationwide in the USA and Canada beginning January 8, 2010. We will soon have a list of the theaters in the USA where the film will play on January 8!

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Thursday, December 31st, 2009 | Author: Administrator

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Thursday, December 31st, 2009 | Author: Administrator

Verne Senior Picture

Courtesy Of vernetroyer.com

We want to wish a Happy Birthday (tomorrow January 1, 2010) to our friend, Verne Troyer. We hope that he has the most wonderful day full of happiness, joy and great success! Verne, know we will be thinking of you on your special day! This great photo of Verne from his highschool senior year is courtesy of his official website, vernetroyer.com. Be sure to visit the site and it’s social network, it’s totally awesome! Verne is just wonderful as Percy in The Imaginarium Of Doctor Parnassus!

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Category: verne troyer  | 8 Comments
Thursday, December 31st, 2009 | Author: Administrator

As always, Tom Waits, is fantastic in this interview from this week wherein he discusses The Imaginarium Of Doctor Parnassus on NPR (National Public Radio). This man is just phenominal!

CLICK HERE TO LISTEN TO TOM WAITS’ DR. PARNASSUS NPR INTERVIEW

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Wednesday, December 30th, 2009 | Author: Administrator

Cinematographer, Nicola Pecorini, has put a slide show of amazing production stills from The Imaginarium Of Doctor Parnassus taken by him, Richard Bain, Francois Duhamel and Alan Markfield on his official website. I’ve been really excited about seeing this slide show since Nicola told me about it in our interview a few weeks ago. You’re going to love it.

You must have a Quicktime Player to view the slideshow.

CLICK HERE FOR THE DR. PARNASSUS PRODUCTION STILLS SLIDE SHOW FROM NICOLA PECORINI

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Tuesday, December 29th, 2009 | Author: Administrator

Source: SciFi Slice

When actor Heath Ledger passed away in January of 2008, he was currently working on the Terry Gilliam film, “The Imaginarium of Dr. Parnassus.”

With Ledger’s death, Gilliam thought for a while that production on the film would cease and possibly be abandoned. But thanks to three of Ledger’s contemporaries–Johnny Depp, Jude Law and Colin Farrell–and the fantasy nature of the script, the movie was able to finish filming and was released in theaters last weekend.

Looking back on it now, Gilliam says that while the final product may be different from what a full movie with Ledger would have been, the overall film isn’t radically different.

“The story didn’t change, basically,” Gilliam told SciFi Wire. “I just got these three other guys in. What happened is we’d shot almost everything outside the mirror, but there were a couple of scenes on this side we hadn’t shot. One of them I had to throw out completely, and the other I moved to the other side of the mirror. There’s a scene between Jude and Anton—Andrew Garfield—when he confesses. That used to be Tony’s trial, and it used to be in the wagon with all the others. By putting it on the other side of the mirror with just the two of them it’s a better scene, because they’re ones that are battling for Valentina. So Anton has information the others don’t have. It worked out better. That’s why I say this was co-directed by Heath.”

“So it’s very simple that the middle-aged shopping lady can be dreaming of Johnny Depp and not Heath Ledger,” Gilliam said, referring to a particularly memorable scene. “So the only thing I changed was when the drunk goes through at the beginning, I had his face changed to establish the principle. Other than that, the dialogue, everything is exactly as it was before.”

Gilliam does admit that the final product would have been different with a full Ledger peformance.

“It might have been a much stronger film,” Gilliam conceded. “This way, it might be a more entertaining film. It’s certainly more surprising, because you don’t know who you’re going to see next. But it was important to me not to change anything. The scene with Princess Di and James Dean and all of that, a lot of people think it was written as a eulogy to Heath. It was exactly what was written before he died. That’s the advantage of not being a studio film, because how many studios would have let me introduce Heath’s character as we do and leave the dialogue in? I said, ‘We’re not changing anything. This is what we wrote.’”

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Tuesday, December 29th, 2009 | Author: Administrator

Source: Palm Beach Pulse

Verne Troyer has played some man-sized roles even though he remains best known as Mini-Me for his hysterical scene-stealing performances in the Austin Powers movies. Now, he’s co-starring in Terry Gilliam’s The Imagination of Dr. Parnassus, the film that Heath Ledger sadly never finished.

Parade.com’s Jeanne Wolf found out why Troyer will never forget the star who died so tragically–and learns a bit more about the 32-inch-tall actor’s humble (and sweet) beginnings.

Remembering Heath Ledger.
“I just think of having dinner with him and being able to talk to him and being surprised that he was really open and down to earth. He was a kind, giving person, even on set. And he had huge enthusiasm, which was sort of contagious.”

Carrying on.
“I actually didn’t even really think about whether we’d ever go back into production after his death. My first thoughts were with his family. I just thought it was impossible that he was gone. Then, when Terry Gilliam sort of recovered, he talked to us about not quitting. I think we all came together as a group, as a family you know, to finish it for Heath. Johnny Depp just stepped in and went to work. I think he wanted to honor Heath. And he gave all the money he was paid to Heath’s child as did Colin Farrell and Jude Law.”

If you think his character is a little nasty…
“There is a lot of me in Percy, the assistant to Dr. Parnassus. I can be a little sarcastic and even a little sadistic sometimes, just like him. I like to have fun so you know when I’m sarcastic it’s usually trying to be funny. It’s a good way to make people laugh sometimes.”

Ready for bigger roles.
“I can play the leading man. I can play the action hero, maybe in just a different way. I look at it as, you know, if you set your mind to it, you can do it. And I’m just trying to show people that I’m more than Mini-Me, even though I loved playing him and I’d do him again in a minute if Mike Meyers asked me. The only part that I don’t really like is when a person sees me on the street they say, ‘Mini-me, I’m your greatest fan.’ And it’s like, ‘If you’re my greatest fan you should know my name.’”

Talk about coming a long way.
“I was working at a candy-wrapping factory before I became an actor. I admit I snuck some hard candy, which is great because you can suck on it while you’re working. You had to be careful of the chocolate though, because you can’t hide that too well. I still pinch myself that I ended up in Hollywood. And I am still surprised at the fans. I went to Thailand recently and I was amazed at how many people recognized me.”

Taking on the Internet.
“I’ve launched a new Web site, vernetroyer.com. It’s linked to a social networking site called Looking Up, which is similar to Facebook. I get to chat with people that like my movies and just stay in touch with fans. I’m also in the beginning stage of writing a book. It’s going to be an autobiography about how I grew up.”

So what will we read that would surprise us?
“I used to be Amish. I had to stay a lot with my grandparents or aunts and uncles who are Amish, so I was sort of partially Amish. When I go back there now I still get into that culture. I can drive a horse and buggy because they don’t use cars. And, of course, there’s no electricity. I respect them a lot. The Amish like to live a very plain lifestyle, the way they think God intended. It sort of brings you back to like Little House on the Prairie days or something.”

What gave him the boost to succeed.
“My parents are the ones that gave me the opportunity to be able to be here and do what I’m doing. They always taught me that you can do anything you set your mind to. My whole family is average size. I have an older brother and a younger sister and, basically, they didn’t treat me any different. I had to do everything that they did. So I learned that you need to stay optimistic, stay positive. I still believe that. Hollywood’s a tough, tough business.”

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Tuesday, December 29th, 2009 | Author: Administrator

Just a reminder for everyone that The Imaginarium Of Doctor Parnassus will open nationwide in the USA and Canada on January 8, 2010. In the USA this will be a limited arthouse release, but there will be a lot of arthouse theaters around the country getting the film on the 8th. We’re very excited about this. Sony Picture Classics will be providing this site with a list of the theaters in the USA that will be showing the film on the 8th closer to the time of the opening so be sure to check back here frequently for that list. After January 8, in the USA, Dr. Parnassus will continue to expand week by week so if your city isn’t in the January 8 list, then hopefully it will be coming to your town soon. It’s coming soon! In Canada the film will expand on the 8th of January. Call your local theaters and ask them when they will be showing Dr. Parnassus today!

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Tuesday, December 29th, 2009 | Author: Administrator

Source: Webdare courtesy of Fandango

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Tuesday, December 29th, 2009 | Author: Administrator

Source: MovieGeekFeed

One of the many joys to be found at Austin’s Fantastic Fest is a series of “Secret Screenings” that occur throughout the program week, where films remain unannounced until moments before the lights go down. This past September we were treated to a diverse set of surprises that included THE MEN WHO STARE AT GOATS, ROBOGEISHA and A SERIOUS MAN. It was a real pleasure to discover Terry Gilliam’s THE IMAGINARIUM OF DR. PARNASSUS was one of them, but even more so that the film is a terrific return to form for the director. After dreary disappointments of clutter (THE BROTHERS GRIMM) and grim detachment (TIDELAND), the lovingly rendered PARNASSUS brings Gilliam back to a jovial dream-world that feels pleasantly familiar to some of his earlier films, and he excels at conveying such good-natured whimsy.

The film has been kept in the public eye for almost two years prior to its release due to the unfortunate death of Heath Ledger. Ledger’s final performance is the lynchpin of PARNASSUS, and his death does impact how the story plays out. But Gilliam did not allow Ledger’s absence to close down the show; he cleverly inserts three different actors (Johnny Depp, Jude Law and Colin Farrell) into fantasy sequences that ultimately make the film feel whole, and not at all awkward or strained. The film flows so seamlessly that it feels like it was always meant to be this way.

Aging Dr. Parnassus (Christopher Plummer) winds through the backstreets of London, opening his travelling theater for anyone who will watch. With his diminutive right-hand man Percy (Verne Troyer), assistant Anton (Andrew Garfield) and lovely, coming-of-age daughter Valentina (Lily Cole), the good doctor manages to make just enough to scrape by. One day the troupe comes across a young man named Tony (Ledger), who appears to be either out of his mind, on the run, or perhaps both. Tony brings a much-needed burst of energy to the show, and soon is hawking the light-or-dark promises Parnassus makes possible through a seemingly worn-out prop on his fold-out stage. Tony’s impromptu performances are timely; Parnassus is also embroiled in a series of wagers with Mr. Nick (Tom Waits), a dapper devil who wants Valentina for his own and challenges the doctor to a gathering of souls to see who keeps her.

Gilliam has always made terrific casting choices with expert results: Robin Williams and Jeff Bridges in THE FISHER KING, Depp and Benicio del Toro in FEAR AND LOATHING IN LAS VEGAS and Bruce Willis and Brad Pitt in 12 MONKEYS. In PARNASSUS he front-loads so much great acting that you almost lose sight of the surreal story being played out. Plummer, Troyer and Waits are real standouts here, despite the bigger names as the various incarnations of Tony. Waits, in particular, is a delight to watch. His aloof, grinding voice and huckster’s garb make for a wickedly ramblin’ gamblin’ man. He just happens to deal in eternal damnation.

As the wager moves forward, much time is spent in Dali-esque other-worlds, where temptation is offered by both parties – Nick with the easy, salacious offer, and various Tonys with more promising, but less fun, self-improvement. Or something like that. There are times the story doesn’t make clear what exactly is being offered to obtain the souls in question, or what happens to the physical bodies of those whose “bad” choice causes them to seemingly be destroyed in the dream-world. But the look of the landscapes are a pleasure to behold. Gilliam’s universe is one heaped with strange sights: a ship on the head of a giant, lizards in a tacky casino lounge, hovering monitors in a futuristic control room. The many realms found in PARNASSUS, if not conjured by the surreal dreamscapes of Dali, were at least inspired by some dark, Seussian vision.

THE IMAGINARIUM OF DR. PARNASSUS is also a film that could easily be recommended for family viewing; the surreal elements are never too dark or too lurid, and the sympathetic portrayals of the theater company are sweetly endearing. Gilliam has managed to leave us with something delightful and wondrous, which is far more palatable than his recent efforts, or even dark successes like FEAR AND LOATHING. Filled with striking images and terrific acting, PARNASSUS is that rare fantasy film where the strange and the unexpected mingle politely with delicate human emotion, yet no one element ever overwhelms the others.

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